Preciosa creates a new bespoke installation for the Address Fountain Views Hotel
Roar creates an agile, experience-driven workplace for Oliver Wyman in Abu Dhabi
Preciosa Lighting creates a stunning lighting installation at Singapore Changi Airport Terminal 1

Preciosa Lighting creates a stunning lighting installation at Singapore Changi Airport Terminal 1


Preciosa Lighting creates a stunning lighting installation at Singapore Changi Airport Terminal 1

Changi Airport partnered with Preciosa Lighting to create a lighting installation for a newly refurbished area at Terminal 1 Departure/ Transit Hall.

Sculptural light garden

The Preciosa team knew the installation had to be something outstanding. The lighting should have a strong narrative, rooted in the tropical garden theme characteristic of the airport interiors and all of Singapore. Garden Metamorphosis is a sculpture which blends in unique compositions, exploring the shapes and patterns of nature. It captures every moment of a garden’s never-ending transformation. The installation is organic and fluid, featuring abstract shapes to trigger visitors’ fantasies. Preciosa Lighting designer Anna Kralova was the lead designer on the project. “This is the transformation that nature naturally undergoes,” Ms. Kralova said. “Here, these leaves turn into butterflies which visually blend with the leaves. Just like in nature – when a butterfly sits on a flower or a leaf, it completely merges with it.”

A bright touch of light

The installation is more than ten metres long and 9 metres wide. There are more than 650 hand blown crystal components including small and big butterflies and small and big single and double leaves. Each component is an original and handcrafted at the Preciosa factory in the Czech Republic. The metal base is champagne and polished brass for a warm feel. Component colours include clear crystal, frosted crystal, champagne, light pink, pink, and light and dark lustre.

 

The architecture and interior design was led by RSP Architects Planners & Engineers, Singapore. Preciosa Lighting worked with the main contractor, Takenaka Corporation, Singapore.

 

(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.5&appId=https://www.facebook.com/designmiddleeast”;
fjs.parentNode.insertBefore(js, fjs);
}(document, ‘script’, ‘facebook-jssdk’));

Sazar Design creates a modern, American style atmosphere for Beef Stock Restaurant in Saudi Arabia

Sazar Design creates a modern, American style atmosphere for Beef Stock Restaurant in Saudi Arabia


Sazar Design creates a modern, American style atmosphere for Beef Stock Restaurant in Saudi Arabia

Established in 2013, Sazar Design is a creative firm which is firmly committed to the scientific art of interior design. Its expert team of engineers and designers are constantly striving to further their understanding and knowledge of this immersive and all-encompassing field, so they can help their clients achieve their dreams in creating the perfect environment for the mind, body, and soul.

From interiors and exteriors, residential homes to commercial buildings and offices, Sazar Design is dedicated to enhancing the environment of a given area or building to create a healthier, more aesthetically-pleasing space. Its mission is to provide its clients to creative concepts, high-quality design, beauty, and flawless execution.

By making sure that each project is tailored to each individual clients taste, requirement and budget, Sazar Design ultimately creates a bespoke end result which is every bit as unique and individual as their clients. This was why the owners of Beef Stock Restaurant in Saudi Arabia knew exactly who to turn to.

They were looking for a restaurant design which was able to combine luxury with an exuberant, American-style atmosphere. After consulting with the clients, Sazar Design set to work and with an innovative use of colour, lighting, furnishings and indoor planting, gave Beef Stock restaurant a unique, fresh, contemporary look which made it the perfect go-to place for relaxed but stylish American dining, exactly as the client wanted.

This made it a clear winner of Luxury Lifestyle Awards in the category of The Best Luxury Commercial Interior Design for the project Beef Stock restaurant in Saudi Arabia.

This project clearly shows the vision of Sazar Design, which is to deliver interior design concepts with a world-class service. It takes pride in the fact that it listens closely to what its clients are looking for with each project, working with them side-by-side from the start of the project to completion, and making sure that every detail is considered and executed to the best of the ability of its expert teams of designers and engineers.

Clients who contact Sazar Design are first given an extensive consultation before deciding whether to move onto the commissioning of the project, as the company believes it is crucial to have the time and space to consider the various ideas and options open to them. Taking the time to debate all the possibilities at the very start of the project is the best way to ensure that the end result is exactly what the client was hoping for – and hopefully even surpass expectations.

Using a whole range of the very latest in interior design techniques including 3D design technology as well as more intimate methods such as mood boards, plans and detailed drawing, Sazar Design is able to clearly show the myriad of possibilities to each client.

Whether it is changing the mood of a room thanks to lighting, innovative use of colour or using custom-made furniture, Sazar Design’s experts are on hand to convey the rich tapestry of design tools including Feng Shui. In large spaces landscaping can transform an environment and Sazar Design will supply a fully-qualified visiting site supervisor who, during the course of the works, will take full control of the interior package for the project.

By guiding and working closely with its clients, Sazar Design is able to create truly unique projects which bring to life exactly what the client had only been able to dream of – until now.

 

 

(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.5&appId=https://www.facebook.com/designmiddleeast”;
fjs.parentNode.insertBefore(js, fjs);
}(document, ‘script’, ‘facebook-jssdk’));

L’Abri creates a magical sustainable family home in Canada

L’Abri creates a magical sustainable family home in Canada


L’Abri creates a magical sustainable family home in Canada

The Saltbox Passive House by L’Abri is a primary residence designed for a family of four and built on the Southern flank of Mont Gale in Bromont, in the Eastern Townships. L’Abri is an architecture and construction firm based in Montreal. The workshop specialises in ecological, healthy, and sustainable construction.

The 3,100sqft single-family home, built on three levels, sits in a meadow at the edge of a wooded, protected area on a 2.5-acre lot. The house in Bromont, Canada, whose design is inspired by the region’s architectural heritage, achieved LEED Platinum and PHIUS 2018+ certifications, making it the third house to obtain passive house certification in Quebec.

The design was carried out using an integrated design approach and is the result of a close collaboration between the architects, consultants, builder, and PHIUS consultant.

The house faces South to favour passive solar heating and panoramic views over the valley. The construction on three levels is nestled into the mountain to minimise the visibility of the retaining walls. By building the rear part of the ground floor at garden level, and by opting for a roof slope that mirrors the land, the house echoes the topography of the location while remaining discreet from the street, revealing itself only once visitors are on the driveway. The third and lowest level houses a garage which also serves as a workshop and remains hidden until the final approach.

Inside, the living spaces are generous and bright. Illuminated by three large openings which contribute to the passive heating of the building, the central double-height room is the real heart of the house. Its functions are organised around a central block which comprises the mudroom, the kitchen, the pantry and a powder room. This white volume abuts the second floor corridor which serves as a passageway to the bedrooms and a small mezzanine home office.

To the North, the children’s bedrooms are lit by narrow horizontal bands that frame the forest which borders the house, all while limiting heat loss. In the crook of the L sits a terrace partially protected by pergolas which serve as sunscreens and passively regulate the interior temperature of the house.

The term Passive House refers to a high-performance building standard that promotes energy efficiency, comfort and the sustainability of buildings. Developed 30 years ago in Germany by the Passivhaus Institut, the standard means, among other things, heating and cooling energy savings of around 80%.

The basic principles of the standard are simple: a highly insulated and very airtight envelope, superior heat recovery of the mechanical ventilation system and a design which optimises the orientation and sizing of openings to promote passive heating of the building.

Contrary to popular belief, these buildings are not off the grid but their energy consumption and their dependence on utilities are drastically reduced. Achieving the performance criteria of a passive house is only possible with the close collaboration of the architect, the consultants and the builder, which is why we favoured an integrated design approach from the very start. This experience confirmed to us that a building can be both aesthetic, in harmony with its environment and extremely efficient.

In the case of the Saltbox house, all design decisions were first validated by performing an energy model of the building which then steered us toward a double-stud structure for the insulation of above-ground walls and triple-glazed UPVC windows. Beyond the energy targets determined by the PHIUS standard, we also aimed to reduce the building’s carbon footprint by carefully choosing the materials used, such as wood siding and cellulose insulation.

Photo credit: Raphaël Thibodeau

 

 

(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.5&appId=https://www.facebook.com/designmiddleeast”;
fjs.parentNode.insertBefore(js, fjs);
}(document, ‘script’, ‘facebook-jssdk’));

Ennead Architects creates the world’s largest astronomy museum in Shanghai

Ennead Architects creates the world's largest astronomy museum in Shanghai


Ennead Architects creates the world’s largest astronomy museum in Shanghai

Ennead Architects, the acclaimed international architecture firm based in New York City and Shanghai, celebrates the grand opening of the Shanghai Astronomy Museum. Designed by Thomas J. Wong of Ennead, the monumental new museum creates an immersive experience that places visitors in direct engagement with real astronomical phenomena. Through scale, form, and the manipulation of light, the building heightens awareness of our fundamental relationship to the sun and the earth’s orbital motion. At 420,000sqft, the new astronomical branch of the Shanghai Science and Technology Museum will be the largest museum worldwide solely dedicated to the study of astronomy. A ceremony to celebrate the museum’s opening will be held July 17, 2021, and the museum opens to the public on July 18, 2021.

“In making this building, we wanted to create a place where the institutional mission is fully enmeshed with an architecture that itself is teaching, and finds form in some of the fundamental principles that shape our universe,” said Thomas J. Wong, Design Partner at Ennead Architects. “The big idea of the Shanghai Astronomy Museum was to infuse a visceral experience of the subject matter into the design, and to deliver that before you even enter the building. And at the end of your visit, there is this culminating moment directly with the sky, which is framed and supported by the architecture.”

Winners of the international design competition in 2014, Ennead delivered an architecturally ambitious design – without straight lines or right angles, echoing the geometry of the universe and the dynamic energy of celestial movement. Wong drew inspiration from the classic “three-body problem” in physics, looking to the intricate choreographies created by gravitational attraction of multiple bodies within solar systems. This is reflected in the winding architectural ribbons of the Museum’s facade. The building’s envelope traces a series of arcing paths that are visibly influenced by gravitational pull: the heart of the central atrium, the forward momentum at the entry, and the planet-like sphere that envelopes the planetarium theater. The Museum and each of the three principal architectural components that define the design – the Oculus, Inverted Dome and Sphere – act as functioning astronomical instruments, tracking the sun, moon, and stars.

The Oculus, suspended above the main entry to the Museum, demonstrates the passage of time by tracking a circle of sunlight on the ground across the entry plaza and reflecting pool. At noon during the summer solstice, there is a full circle, which aligns with a circular platform within the Museum’s entry plaza. The Oculus creates a veritable time piece in the civic square.

The Sphere houses the planetarium theater, which is half submerged in the building. With minimal visible support, it evokes an illusion of weightlessness or anti-gravity. The pure spherical form references the primordial shapes in our universe and, like the orientation we yield from our position relative to the sun or moon, becomes an ever-present reference point for the visitor.

The Inverted Dome is a large inverted glass tension structure which sits on top of the central atrium of the building at the roof line so visitors can occupy the center of the glass dish with an unimpeded view of the sky. The culmination of the exhibit journey, this space cuts the view of the horizon and adjacent urban context and focuses the visitor on the all-encompassing sky – a real encounter with the universe to conclude the simulated experience within. The 720-degree spiraling ramp inside the Museum and underneath the Inverted Dome traces the orbital flow of the visitor sequence throughout the Museum exhibits and launches the eye upward to its apex.

Set within an expansive green zone, the Museum grounds include a host of buildings and programming including temporary and permanent exhibits, a 78-foot solar telescope, an observatory, an optical Planetarium, Education and Research Center, and Digital Sky Theater. Programming at the Museum will feature immersive environments, artifacts and instruments of space exploration, and educational exhibitry.

(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.5&appId=https://www.facebook.com/designmiddleeast”;
fjs.parentNode.insertBefore(js, fjs);
}(document, ‘script’, ‘facebook-jssdk’));

Note Design Studio creates a practical workspace for Samsen and it has a wine bar too

Note Design Studio creates a practical workspace for Samsen and it has a wine bar too


Note Design Studio creates a practical workspace for Samsen and it has a wine bar too

With working cultures and practices in a state of transition and flux, as businesses around the world adjust to a post-pandemic landscape, one company has taken a particularly inventive approach. In need of a workspace and meeting venue in central Stockholm, Swedish digital tech consultancy Samsen is opening – not an office – but a wine bar, and Note Design Studio have been charged with creating the perfect interior.

Designed for work and play
As a specialist tech consultancy working with the likes of Klarna, Spotify and Nespresso, Samsen normally despatches employees to work in its clients’ offices – something that COVID-19 made impossible. They had been planning a home of their own long before the pandemic struck, with a vision of an office shaped by long standing workplace trends that embrace flexibility and employee satisfaction. It became clear that, although the company didn’t need anything like a conventional corporate office, it did need a shared space that the team could come to whenever they needed, to use however they liked – whether as a space to work, hang out, or spend time with family and friends. Not just a practical resource, but an employee perk. With the founders of Samsen sharing a passion for wine and a determination that their space should look nothing like the traditional office, a wine bar seemed the perfect option.

“When we did our first presentation for Samsen, they first went quiet. They had to explain to us that they didn’t want an office at all – they just wanted to work in a wine bar. The whole idea is to offer employees something different, and add real value besides going to work every day,” SAYS – Susanna Wåhlin, Note Design Studio.

The wine-bar workspace – dubbed the Samsen Atelier – is in keeping with the young company’s fundamental philosophy: the belief that work should be built on the personal life of the individual, not the other way around. The Samsen team are free to design their work around their needs and passions, able to choose how, when and where they work, and with which clients. In their they have access to a flexible space that they are empowered to use as their own, whether for personal or professional reasons.

Adaptable seating
The need to balance function and atmosphere was the driving force behind Note’s design process. The team took inspiration from the small bars and cafés found in Japan – spaces that often seem tiny, but have a surprising capacity to hold a large number of people thanks to clever seating arrangements.

The space is made up of two connected rooms – one houses a large communal table that can be used for dining or collaborative work; the other holds a bar lined with stools, a trio of café tables, and bespoke upholstered benches beneath two large windows. This set-up allows for multiple seating arrangements to be employed simultaneously – from group gatherings, to one-to-one chats and working in isolation – and ensures the atmosphere is vibrant and bustling even when relatively few people are on site.
Inspired by Japan

Taking the dark-wood look of Japanese bars and restaurants as a starting point, Note developed a palette that balanced warm and cool colours and materials, combining traditional stained soft wood with harder, more modern accents of concrete and steel. The wooden cabinets on the walls are a direct reference to Japanese interiors, as is the half-length curtain that divides the two rooms. Another curtain separates the kitchen area, which houses brushed metal units from Reform that contrast with the golden woody warmth of the yellow-brown palette elsewhere.

Built from chunky slabs of limestone, the bespoke bar backs a tall wine fridge also designed by Note. The space houses a number of other Note designs created especially for Samsen, including a statement yellow shelving unit on the wall, the integrated window benches, and the large yellow communal table, which is surrounded by black chairs from the Candid collection that the studio designed for Zilio A&C. Above the table, Rich Brilliant Willing’s Palindrome lamp in bent tubular steel adds a sculptural element. In the adjoining space, the bar stools, café chairs and tables have been sourced from Mattiazzi.

Despite the distinct ‘anti-office’ feel of the space, there are, inevitably, practical features that facilitate the use of the space for work. Power outlets have been positioned to enable easy access from all seating areas; and the silver curtain on the wall conceals a whiteboard. Two large screens can be used for presentations – as well as video gaming and showing major sports events.

 

(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.5&appId=https://www.facebook.com/designmiddleeast”;
fjs.parentNode.insertBefore(js, fjs);
}(document, ‘script’, ‘facebook-jssdk’));

H2R Design creates a monochromatic neutral space for homegrown dessert joint—PLAIN

H2R Design creates a monochromatic neutral space for homegrown dessert joint—PLAIN


H2R Design creates a monochromatic neutral space for homegrown dessert joint—PLAIN

H2R Design worked on the design and fit-out of PLAIN, a new homegrown dessert concept in the UAE. Located in City Centre Mirdif, the new unit in the mall was designed to create a space that celebrates the combination of high-quality desserts in a tranquil ambience, within a unique and uplifting experience. The aim was to create a clean yet attractive aesthetic that would complement a PLAIN’s wide range of flavours and desserts, while still allowing the products to stand out.

The inspiration and mood of the concept can be defined as a monochromatic neutral space, with hints of soft colours and touches of warmth from timber furniture and panelling on some joinery items. The overall theme is tonal and understated yet fresh. H2R Design created a simple and sophisticated logo with clean typography paired with a playful personality that is evident through the pastel colour palette. This has become the brand’s main identifier and the general tone of voice. Custom line illustrations were also introduced, giving the brand a harmonious balance between elegance and play.

H2R Design studied the depths of PLAIN to design a space that truly reflected its identity. The research uncovered the concept’s origins, stemming as a place to serve Japanese desserts. This automatically led to the design embracing a more minimal and tranquil approach. However, the concept had to be more unique than that, it needed an identity for itself. Researching the menu offerings, H2R Design incorporated tones that were inspired by the desserts. For example, the toppings on top of the kakigori (a shaved ice dessert), added a splash of colour to the otherwise plain coloured sweet and the honey toast and pancakes having beige and off-white tones. This led to a neutral on the outside, a surprise on the inside approach for PLAIN’s whole design conceptualisation.

There is alignment from the entrance to the counter at the back, framing the entire space. Tying in the branding with the interior was crucial and this is how H2R Design created the concept from paper to build. Overall, straight simple lines are displayed throughout the space, where everything is there to be functional, while still maintaining a minimal beauty. Due to how minimal space is, H2R Design had to pay attention to details, with how frameworks met, the datum lines of the mesh, and perfecting every single joint.

The use of grey micro-toppings, stones, floor tiles and greys in the structure allowed for H2R Design to create a very lightly coloured space for the display of the food to burst and reveal its personality. Oak timber has also been used throughout the space to ignite some warmth amongst the monochrome mood.

 

 

 

 

(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.5&appId=https://www.facebook.com/designmiddleeast”;
fjs.parentNode.insertBefore(js, fjs);
}(document, ‘script’, ‘facebook-jssdk’));

Swiss Bureau creates an interactive workspace for Julius Baer with a focus on employee well-being!

Swiss Bureau creates an interactive workspace for Julius Baer with a focus on employee well-being!


Swiss Bureau creates an interactive workspace for Julius Baer with a focus on employee well-being!

Swiss Bureau Interior Design collaborated with leading Swiss wealth management group, Julius Baer, to design its new corporate office in Dubai. As the firm enters a new chapter in the UAE with its move to ICD Brookfield in DIFC, Swiss Bureau worked with the Julius Baer’s global architecture concept as its framework to help maintain uniformity across locations. The new premises intend to provide greater interaction space and promote employee well-being while offering unrivalled views of the DIFC and Downtown Dubai.

The contemporary corporate workspace designed with sustainability in mind has an expansive client reception area with seven meeting rooms and three boardrooms with state-of-the-art facilities and excellent infrastructure. Colors inspired by the Dubai desert add a local touch where light sand and orange hues connect with biophilic elements. A naturally lit reception sports a focal wall inspired by the UAE sand dunes, sweeping from the point of entry across to the glazing facade. The Julius Baer Art collection featuring artworks of contemporary Swiss artists adorn the walls across the two floors, realizing an elegant space able to withstand the test of time.

Besides work desks allowing for healthy alternation between seated and standing activities, provision of quiet rooms (i.e. ‘phone booths’) are placed enabling colleagues to quietly talk to clients while enjoying the facilities of an open office. A large pantry also serves as the heart of social interaction for employees.

With a solid history of 130 years, Julius Baer is a premium brand in this global sector, focusing on servicing and advising sophisticated private clients. In the last 16 years, in addition to Dubai, the bank has strategically grown in the Middle East and Africa with additional offices in Abu Dhabi, Beirut, Johannesburg, and Manama, offering its clients proximity and access to a well-established range of advisory and wealth management services.

 

(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.5&appId=https://www.facebook.com/designmiddleeast”;
fjs.parentNode.insertBefore(js, fjs);
}(document, ‘script’, ‘facebook-jssdk’));

OK Design creates an office in Israel inspired by a ski resort

OK Design creates an office in Israel inspired by a ski resort


OK Design creates an office in Israel inspired by a ski resort

Imagine entering an office in the Middle East and feeling like you’re in a European ski resort. SkiDeal is a prominent Israeli tourism company specialising in full-package ski vacations in prime European resorts. The company’s offices are located in the heart of Israel, in the “Ir Yamim” towers in Netanya, Israel.

OK Design took the inspiration for the 350sqm office design is derived entirely from the world of skiing, including materials, colors, ambiance, and experiential elements. The objective was to design a ski environment within the office space that sits in complete contrast to the dry desert climate of its Israeli surroundings, presenting an alternative reality to the outside world.

The primary focus of the project was to create an environment where employees and customers would genuinely feel as if they were entering a ski resort. While many design projects incorporate surrounding landscapes as a complement, the SkiDeal office’s proximity to the Mediterranean Sea presented views that stood in contrast to the theme of the space.

The design’s authenticity was key to achieving the client’s goal of motivating employees, given that they are skiing afficionados. Skiing is a significant aspect of their lives, and the goal was to provide them with a work environment that, while functional and departmental, would also echo their passion.

“In addition to the main concept of creating a ski environment, we were very cognoscente of the fact that this is a functional office, so our approach also focused on noise reduction that facilitates the transition,” says designer Keren Offner. “In terms of ambiance, our choice of materials and colors serve to transition people to the skiing world.”

One of the challenges to the overall design was balancing the intimacy of the environment with the concept of an open office space. The solution came in the form of glass walls with pinewood frames, and office divisions that pass through drywall openings.

Upon entering the office’s main glass door, visitors are greeted by a wide reception desk and seating area. Behind the reception desk, a wall cupboard rotates into the space, transforming into an après ski open bar, complete with a large iron library. A pinewood harmonica window separates the bar from a large adjacent conference room. When opened, the window connects the bar with the conference room to create a larger open space. The conference room also serves as a sort of courtyard area, where conference calls are held with various ski resorts and big screen TVs broadcast skiing events from around the world.

The secret to creating the core transition was the abundant use of three-ply pinewood, used to create separator walls, to frame the office’s display cases, and to line the ceiling in the form of plates. Abundant use of the wood draws its inspiration from the pine tree surroundings of ski resorts, as well as construction materials used to build ski chalets.

The space’s light gray walls and smooth concrete floors frame a colorful ski world of blue skies, white snow, and green pine trees. All of the office furniture is white, and the lighting design accentuates the architecture to emphasize divisions of space and create focal points. Warm lighting throughout the space creates a cozy environment, while a combined lighting/acoustic solution implemented in the sales area conjures up hints of mountain views upon approach.

Photo credit: Amit Geron

 

 

 

(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.5&appId=https://www.facebook.com/designmiddleeast”;
fjs.parentNode.insertBefore(js, fjs);
}(document, ‘script’, ‘facebook-jssdk’));