In Pictures: New Limassol Terminal in Cyprus by irwinkritioti architecture

In Pictures: New Limassol Terminal in Cyprus by irwinkritioti architecture


In Pictures: New Limassol Terminal in Cyprus by irwinkritioti architecture

The new Limassol Terminal is the first purpose-built building for cruise ships on the island of Cyprus. Stretching 350m down the east pier as a series of elliptical shells, it replaces the old industrial shed which had provided basic services for many years. Irwin kritioti architecture was awarded the first prize in the competition set for the new building. The terminal was completed shortly before the global pandemic brought the cruise industry to a faltering halt. It re-opens this summer to welcome new passengers aboard for the 2021 season and take its position in the cruise itinerary of the Mediterranean.

The harbor site for the terminal is located within the principal port of Cyprus- a busy multi-purpose facility. The main point of entry for the shipping containers that serve the island’s trade also provides a stopover for warships en route to the Levant, as well as serving as the docking point for the many cruise ships that tour the eastern Mediterranean. In this oversized industrial context, the new terminal required a strong visual identity, while also providing a place of calm for transient passengers.

Approaching Cyprus by ship, the first view of the new building is the undulating roof of titanium zinc, whose aspect changes according to the time of day and the season. The linear scale and rounded forms of the terminal ensure that it stands distinct amongst the heavy ships and cranes that surround it. Disembarking, the passengers pass through ovoid halls, where walls and ceilings are replaced by a continuous wooden plank surface. These are animated by reflections of the sun and water from the huge portal windows and the polished floors. The white wooden board interiors refer to shipbuilding of the past, and provide a striking contrast with the darker ribbed metal of the exterior forms. Direct views from the dock to the harbour promote the linking of the land with the sea. For those who are not embarking on a voyage, this allows previously unseen views into the workings of the busy port.

The terminal has a projected annual turnover of half a million passengers. Despite being a controlled border with all the necessary custom and security requirements, the building has managed to remain visually open & permeable. In doing so, it avoids the potential labyrinthine layouts and deep spaces that can occur in transit buildings. An early decision by the architects to simplify the brief into distinct operational shells, each connected to the outside view, allowed for a building which is simple to service and easy to navigate.

A further decision by the design team was to allow for alternative uses of the terminal spaces outside of the cruising season. Weddings, conferences, and exhibitions can be hosted for local audiences in the arrival halls, which would otherwise remain dormant in the off-season. A ‘Skybar” located on the roof welcomes non-travelers, as well as those on a cruise. As Limassol continues to expand west towards the port, the multi-use building provides a platform to integrate local city life with the dynamic activities of the harbour.

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In Pictures: Power10 Fitness by Dubbeldam Architecture + Design

In Pictures: Power10 Fitness by Dubbeldam Architecture + Design


In Pictures: Power10 Fitness by Dubbeldam Architecture + Design

For the first dedicated rowing studio in Toronto, Dubbeldam Architecture + Design was tasked to create an immersive interior that would motivate patrons to push themselves to their physical limits. The design brief called for a sleek, sexy, and raw interior bursting with the kind of intense energy associated with the rowing term “power 10” when a crew puts all its strength into 10 consecutive strokes that can make or break a win or a workout.

To capture this kind of high-turbo energy, Dubbeldam Architecture + Design devised a fully immersive experiential interior to boost adrenalin and block out distractions that dilute performance. The focus of the raw, industrial-like interior is the rowing studio, fitted out with state-of-the-art Technogym rowing machines and dynamic colour-changing LED lighting on the charcoal-grey walls and ceilings. The large X-shaped programmable light fixtures pulsate in rhythm with the music, adding to the workout’s intensity. “The repeated X-shape not only serves as a graphic reminder for rowers to push toward that 10-stroke goal during workouts but is also a nod to the Roman numeral 10 and the iconic symbol of two crossed sculling oars,” says Principal Heather Dubbeldam.

The unvarnished aesthetic continues into a second workout area fully equipped with high-performance treadmills, free weights, kettlebells, and TRX training. The X-shaped lights are repeated here, suspended from the exposed ceiling and serving as a visual bridge to the rowing studio. Connecting the two workout areas and the change rooms is a long corridor with a 3-foot high, three-dimensional POWER10 logo in a 25-foot-long opening in the wall that runs behind the reception area, providing a powerful visual connection between the spaces. Patrons catch glimpses of other gym-goers in adjacent areas through openings between each of the letters, creating visual intrigue.

Throughout the studio spaces, areas of exposed concrete walls and mechanical systems lend to the raw industrial ethos. Strategically positioned angular-shaped acoustic panels on the walls and ceilings attenuate reverberation with an interplay of soft surfaces.

By contrast, the lounge area and change rooms are notably calmer, featuring natural wood finishes, terrazzo tiles, and colour-blocked walls in ‘power gold’. In the lounge, Normann Copenhagen bell pendants cast a warm light over custom-built white oak benches. The multipurpose reception desk in matching white oak features an integrated cooler with a display window to entice members to hydrate. Curated furniture pieces by Muuto provide a casual space for patrons to relax, refuel and recharge at the end of a challenging workout.

Photo credit: Riley Snelling

 

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In pictures: Mamsha Al Saadiyat project in Abu Dhabi by Dewan

In pictures: Mamsha Al Saadiyat project in Abu Dhabi by Dewan


In pictures: Mamsha Al Saadiyat project in Abu Dhabi by Dewan

Dewan recently completed the Mamsha Al Saadiyat project in Abu Dhabi. Located in the heart of the Saadiyat Island Cultural District of Abu Dhabi, Mamsha Al Saadiyat is a mixed-use development featuring luxurious homes, a family entertainment pier, beaches, parks, community facilities, and a boutique beach hotel.

The development is within walking distance of several world-class museums and luxury retailers, all while situated directly on the shores of pristine beaches. Situated within the vision of the overall Cultural District master plan, the development serves three diverse and critical groups to the region: residents, commercial visitors, and beachgoers. Through this project, Dewan created a memorable sense of place that captures the vitality and liveliness of the up-and-coming area, while simultaneously respecting the tradition of this lively district.

The development seamlessly integrates the public realm and beachfront into a distinct, residential experience while maintaining a private and secure environment. The residential units themselves were designed to promote connectivity with the community and nature; the open, flowing unit designs capture the relaxed character of the beach and the surrounding environment. Key design concepts, such as maximising views of the Gulf and nearby museums from outdoor terraces enhance the luxurious experience of residents.

Dewan’s design testifies to the firm’s ability to incorporate the context of a development’s surrounding culture and environment into the design and function of its structures. The development integrates with the city’s iconic institutions including the District Mall, the Guggenheim, the Louvre Abu Dhabi, and the Zayed National Museum. Also, by incorporating amenities ranging from food and beverage destinations to family-oriented experiences including a park, promenade, plazas, and sikkas, Dewan’s allows Mamsha Al Saadiyat guests to feel as if they’re at a second home.

The Beach Promenade of Saadiyat Island, where Mamsha Al Saadiyat is located, provides a new gateway to the rapidly expanding city of Abu Dhabi. Enhanced transportation elements, including direct connections to Abu Dhabi International Airport and Downtown Abu Dhabi, make travelling to and from the new development seamless.

By designing the property for both residents and visitors to the city, Dewan created a welcoming, vibrant atmosphere that accelerates the economic and social growth of the region, supported by both tourism and population growth. Beyond luxurious homes, Mamsha Al Saadiayt delivers numerous public spaces such as parks, plazas, and beaches.

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In Pictures: Nanbo Bay Reception Center by Sunson Design

In Pictures: Nanbo Bay Reception Center by Sunson Design


In Pictures: Nanbo Bay Reception Center by Sunson Design

Nanbo Bay Reception Center in Yinchuan Shi, China by Sunson Design is mesmerising in every way.

The “Hall of time” is located at the entrance of the building, generating the first impression of the project which is natural, warm, mysterious, and full of the ritual sense that entering this hall will step into an “isolated” natural park.The divergent wooden dome simulates the sunlight, underneath which there’s a circular water view device marked with “Life should be spent on enjoying good things”, which showed life should be good and don’t waste time. Enjoy the lights, flowers, scenery, and settle down.

The reception hall is a small ecological miniature of “city rainforest” that the picturesque disorder bamboo forests, banyan trees, plantains, and other fresh green plants, and the low shrubs, wooden negotiation tables, and chairs has formed a longitudinally extending “indoor rainforest”, which realized the organic combination of indoor, landscape and virescence design.

Step out of the “rain forest” and walk into the sand table display area, where the small natural ecological landscape and stone walls highlight the key points of the space.

There is a ladder book bar on the left side of the reception hall. The floor-to-ceiling glass introduces natural light, which increases the permeability, allowing readers to be in the “golden house” and enjoy a quiet reading time.

The bookshelf wall between the bar and the corridor is a humanistic door that can trace the origins. The designer has borrowed the conception of the Yinchuan Water Tunnel Ruin here that to tell persons of the prosperous and historical heritage of ancient Yinchuan 30,000 years ago by the “sealed” animal fossil specimens which are made by resin and iron.

In the dining area, continuous arch elements bring a sense of exoticism, reflecting the harmony, communication, and warmth of the space.

Bright wallpaper with melon and fruit patterns, bamboo screens and window lattices, and original wooden tables and chairs all continue the natural ecological characteristics.

The reception area is bright and private. The custom hanging lamp woven by hemp rope shines like a galaxy. The office chairs made of half-wrapped flannel provide a sense of comfort and security for both parties, which gives full play to the functionality of the space.

The landscaped courtyard has its own unique features. The wooden sphere floor-to-ceiling sculpture remains motionless at the “opposite bank”, like a rock, a reed, a unique pastoral landscape.

The outer glass wall of the swimming pool creates the visual illusion of “zero gravity”, which makes people feel like swimming in the air and traveling around the world. The long wooden benches and stone sculptures by the pool, the soft film ceiling, and the glass light well allow the space to blend trees, water, music, natural light, and stone carving in nature.

Photo credit: Kanghui Zeng

 

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In Pictures: Showroom Complex in China by Studio DOTCOF

In Pictures: Showroom Complex in China by Studio DOTCOF


In Pictures: Showroom Complex in China by Studio DOTCOF

A corporate showroom that is unlike spaces such as art galleries or museums that are directly open to the public, and is mainly used for receiving clients or partners related to the enterprise’s business. A showroom is often relatively big and isolated. At times when no reception is happening it often lays vacant, and its use efficiency is fairly low.

Employing the concept of the Showroom Complex, Studio DOTCOF has designed the head office showroom on Xiupu Rd in Shanghai for Yanfeng Automotive Interiors. It incorporates such spaces as an art gallery, a square, a theatre, a restaurant, and a cafe to give the visitor a more complex and diversified spatial experience.

The art gallery is where unique products are displayed. The design adopts an arch to emphasise the towering characteristic of the space and to bring out the beauty of the exhibits.

The square serves as the transitional space between the main exhibition hall and the rest of the space. It is mainly used to display mass-produced products and is also the place where multiple traffic flows converge. The designer created a totally open space to allow people to gather, and some of the exhibits can be shown on weekdays.

The theatre space is used for product releases, seminars, and events, etc. The large sliding doors on both sides of the big screen can be opened when an event is over, connecting the adjacent cafe and restaurant spaces. These two spaces are ideal for breaks and informal talks before and after official visits, and here visitors can stop to enjoy coffee and snacks.

Photo credit: Chen Hao

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In Pictures: Collège Saint-Paul by Taktik design

In Pictures: Collège Saint-Paul by Taktik design


In Pictures: Collège Saint-Paul by Taktik design

Taktik design has completely redesigned the exterior schoolyard of Collège Saint-Paul, a high school institution renowned for its sporting vocation located in Varennes, in the suburbs of Montreal near the St. Lawrence River. Initially and mainly composed of asphalt areas, the schoolyard presented a development problem due to a street that divided the space into two distinct sections. This street and an adjacent residential lot were purchased by the College to unify the schoolyard and improve its functionality.

The different areas have been designed in relation to the gradation of activities. Near the College, the lounge area consists of various pieces of furniture, all designed and manufactured by Taktik design, and aimed at practicing calm activities such as socializing, reading, or relaxing. High tables in solid wood and aluminum serve as meeting or small group workstations. The long picnic tables made of FSC certified wood, a forest certification system that protects forest ecosystems and rare or threatened wildlife species, and yellow zinc-plated steel allow outdoors dining while protecting students from the sun or rain thanks to the stretched canvases. To take advantage of the beautiful sunny days, wooden platforms are integrated into the landscaping. The carefully thought-out placement of the backrests on the platforms makes it possible to use the furniture while sitting as on a bench or in a lounge chair mode.

The central section, outlined to serve as an outdoor classroom, is made up of small house-shaped pergolas partially shaded by stretched canvases. Equipped with alternating long high tables, as well as picnic tables, the space allows the accommodation of larger groups. Adjacent to the classrooms, a two-step high elevated area covered with dynamic shaped paving stone and equipped with a luminous bollard supplied with electricity becomes a theater stage whose performances can be observed from the green platform.

The course continues with the entertainment area made of synthetic turf allowing the practice of activities with a higher level of intensity. An outdoor training circuit with different exercise modules ranging from static and dynamic stretches to balance games are found alongside a few anodized aluminum ping-pong tables. A colorful running track of over 160 meters encircles all the elements in the central area.

Next, come the active sports areas where is located a basketball court with the color identity of the College. The marking has been developed to allow a subdivision of three sub-fields. A multisport field with synthetic grass surface strips and a space to practice spike-ball are now also available. Large sports fields are found at the end of the schoolyard: dek hockey and a professional-sized soccer field complete the new facilities. With the addition of outdoor lighting, these light fixtures are now shared with the surrounding community after the College opening hours.

The presence of numerous water retention basins allows the vitality of the abundant vegetation. These are delimited by large stones selected by the Taktik design team from a quarry in the region. A gigantic “PAUL” in the emblem color of the College, in aluminum, proudly sits in the center of the space, thus marking the new era of this schoolyard!

Photograph: Maxime Brouillet

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In Pictures: Montreal Biodome by KANVA

In Pictures: Montreal Biodome by KANVA


In Pictures: Montreal Biodome by KANVA

KANVA, a Montreal-based architectural firm unveils the delicate grandeur of the newly-redesigned Biodome, a Montreal science museum that immerses visitors in the authentic environs of multiple ecosystems.

“Our mandate was to enhance the immersive experience between visitors and the museum’s distinct ecosystems, as well as to transform the building’s public spaces,” notes Rami Bebawi, a partner of KANVA and the project’s lead architect. “In doing so, we proudly embraced the role that the Biodome plays in sensitizing humans to the intricacies of natural environments, particularly in the current context of climate change and the importance of understanding its effects.”

From an organisational perspective, KANVA began by targeting spaces that could be transformed in ways that would maximise the value of the building’s architectural heritage. The carving of a new core combined with the demolition of the particularly low ceiling at the entrance of the building allows visitors to appreciate the impressive scale of the existing space. In gutting the existing ceiling, KANVA opened the space skyward to the building’s extraordinary roof, composed of massive skylight panels that infuse an abundance of natural light.

With a massive open space now forming the core between the ecosystems, the firm parametrically designed a living skin that they could wrap around the ecosystems, and which would serve as a guiding accompaniment to visitors. With exceptionally complicated structural engineering, the installation of the prefabricated pure white, biophilic skin was a monumental task. With no room for error, the skin was curved and stretched around a bowed aluminum structure, using tension, cantilevering, and triangular beams for suspension, and itself anchored to a primary steel structure. Mechanical junctions were also incorporated in order to accommodate a variety of movements and allow for on-site adjustments.

The translucent skin harmoniously interacts with the skylights above, with beveled horizons that elicit a sense of calm and infinity. The new core also amplifies the sensorial experience of visitors transitioning from its pure neutrality to the multi-sensorial discovery of its adjacent ecosystems.

KANVA then focussed on the journey itself, designing new passages aimed at transforming the existing linear path of discovery into a more dynamic experience, where visitors take charge of their own journeys through the Biodome’s five ecosystems, housing more than 250,000 animals and 500 plant species. Conceptually aiming for a more immersive experience, KANVA focused its attention on soliciting senses, relegating sight to the end of the line behind sound, smell, and touch. From the calming lobby hall, the undulating living skin funnels visitors into a 10-meter tunnel leading to the central core, where their exploration of five ecosystems, including Tropical Rainforest, Laurentian Maple Forest, Gulf of St. Lawrence, Sub-Antarctic Islands, and Labrador Coast, begins.

The entry tunnel features a very subtle floor incline, intended to slow the pace of movement through a compressed white passage, and to void the mind for fresh sensory input. Once visitors reach the central core, smaller slits in the living skin, called eco-transits, lead them towards the ecosystem entrances. As automatic doors at the end of the eco-transit open into the ecosystem, it remains visually obstructed by a curtain of beads. By the time visitors pass through the beads, they have been exposed to the climate, smells, and sounds of the natural habitat before seeing anything. At the entrance of the Subpolar Regions, KANVA designed a new ice tunnel that acclimatizes visitors during the transition, while the sounds and smells of puffins and penguins ahead provide additional sensory stimulation.

Vertically, the team added an entire new level above the ecosystems, accessible via walkways enabling visitors to move through the foliage of majestic trees of both the Tropical Rainforest and Gulf of St. Lawrence ecosystems. The walkways lead to a new mezzanine, offering aerial views of the various ecosystems and the pure white nucleus. The new mezzanine also serves as a technical floor, with interactive educational exhibits and insight into the elaborate machinery required to preserve the facility’s delicate ecosystems.

Before designing a new water basin for the facility’s resident penguins, KANVA staff spent weeks with biologists and veterinarians in order to gain insight into the specie’s swimming patterns. To provide an authentic feel to an observation point where visitors can observe beavers in their natural habitat, the firm studied the architectural prowess of the beavers. The idea emerged to let the beavers carve the wood themselves, which was then dried and used to line the interior of the space.

 

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In Pictures: Pinghe Bibliotheater, Shanghai by OPEN Architecture

In Pictures: Pinghe Bibliotheater, Shanghai by OPEN Architecture


In Pictures: Pinghe Bibliotheater, Shanghai by OPEN Architecture

Pinghe Bibliotheater is the core of OPEN’s latest project—School as Village/Shanghai Qingpu Pinghe International School. A library, a theater, and a black box interlock together like a Chinese puzzle to form this characteristic building that some call ‘the blue whale’ while others see it as an ocean liner. The unique form of the building and the free-flowing spaces not only cultivate the students’ interests in reading and performing, but also encourage their imagination to roam freely in the ocean of knowledge.

The Bibliotheater by Open Architecture abuts an important corner of this school-village, at a junction near which a major city highway and an ancient canal also meet. The slanted roof with spiky skylights, ship portholes like round windows, and eye-catching blue color leave a strong impression on passersby.

When Open Architecture were given the extensive and jumbled-together program of a new school for 2000 students aged from 3 to 18 years, the immediate reaction was how dreadful it would be for a kid spending these many years fixed in one building. We decided to break away from the current trend of school-as-megastructure. Instead, the original program was deconstructed and grouped into many smaller and distinctive buildings, forming a village-like campus. The marriage of library and theater came from the architect’s belief that the act of extensive reading and thinking, and the act of expression through performances, should be critical components of education but are often ignored in test-driven educational systems. The distinctive qualities of these two programs and the respective physical needs came to inspire the design of the building.

Above and Below

The proscenium theater and the black box, which require the least natural light and the most acoustic isolation, occupy the lower part and the deep central area of the building, while the library occupies the upper part. A loop of different reading spaces rises and drops according to the varying heights of the theater volumes below, creating a terraced spatial sequence that climaxes at a central reading area that is surrounded by books and light.

Introvert and Extrovert

The experience of reading is inevitably introverted and highly personal. Facing readers from early years to young adults, the architect created many comfortable reading zones of different qualities. A sunken roof garden gives kids breathes of fresh air and an outdoor reading area when weather permits.

The experience of performing in theaters, on the other hand, is extroverted and exciting. The main entrance to the theater is where the building is ‘cut’ diagonally to form a theatrical opening. The juxtaposition of warm wood panels and deep blue walls create a visually stimulating auditorium. The café on the ground floor also plays an important role. During normal school days, parents waiting to pick up kids can read and socialize there.

Lightness and Darkness

Light is crucial to the design of the library, not only fulfilling the functional needs but also giving form to the spaces and animating them with musical rhythm. Abundant skylights on the slanted roof bring filtered light to the central reading area, a giant oculus dropping down from the ceiling illuminates the very center in an almost spiritual way, forming an emotionally charged central space. While in the theater, natural light is avoided entirely, and artificial lighting was carefully designed to meet functional requirements.

In a sense, the Bibilotheater was conceived more broadly as a cultural center for not only the school but also the surrounding communities. Carefully placed near the secondary entrance of the campus, the building may be used independently without disturbing the campus management. It was the architect’s hope that the Bibliotheater will become the social energizer that brings together parents and community members.

Photo credit: CHEN Hao

 

 

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In Pictures: Ministry of Cabinet Affairs Office in Dubai by Kart Group

In Pictures: Ministry of Cabinet Affairs Office in Dubai by Kart Group


In Pictures: Ministry of Cabinet Affairs Office in Dubai by Kart Group

Level 37, Emirates Towers is home to the Ministry of Cabinet Affairs Office in Dubai. The twin towers impressively take command of the city’s central business and commercial district and soar 350m above the gloriously landscaped gardens, lakes and waterfalls. Since construction, the towers have become the icons in the impressive cityscape. The building’s architecture boasts equilateral triangles throughout, the points of which represent the sun, earth and moon, which are prevalent in Islamic design.

The UAE government commissioned Kart Group to redesign the upscale offices of the Ministry of Cabinet Affairs. The complex brief included considering the positive energies associated with Feng Shui and incorporating biophilic design to promote the employees’ health, well-being, and productivity. Kart Group was also challenged to visually showcase the elaborate architectural revolution while respecting ancient cultural heritage. Dubai is a world leader in the hospitality sector and has changed the face of the industry globally.

The office is responsible for supporting the government offices and the UAE’s constitution. Under Mustafa Khamash his creative direction Kart Group created a unique working environment that reflected this importance. Designers have playfully melded industrial styled metal grids, exposed industrial lighting and ceiling fixtures, concrete building structures and weathered wood with luxurious marble and multi-coloured accents within the workspace.

A naturally preserved tree represents the continuum of past and future connections by grounding its roots as an anchor for the country’s boundless development and growth. The clear, mirrored ‘pool’ in which it stands creates an infinite reflection. Biophilic nuances continue throughout the offices with a carefully curated collection of exotic plants, colourful modular wall plant pots and organic strawberry shoots that increase energy flow.

Dubai’s patriarchy figures and emblematic symbols proudly adorn the walls of the 37th floor. Sheikh Zayed bin Sultan Al Nahyan’s profile is a creative abstract portrait installation of gradient taupe colours designed to be visible from various angles.

The executive wing and majlis lounges are designed with luxury in mind. Opulent marble is combined with polished natural wood. The colour scheme notes the United Arab Emirates’ natural hues and nods to the cultural heritage that is so closely revered. In contrast, the staff areas are bursting with eccentric accent colours that inspire creativity. There are areas to relax and breakout rooms that are dedicated to enthusiastic brainstorming.

 

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In Pictures: Quai 5160 – Verdun Cultural Center by Les Architectes FABG

In Pictures: Quai 5160 - Verdun Cultural Center by Les Architectes FABG


In Pictures: Quai 5160 – Verdun Cultural Center by Les Architectes FABG

A winner of an architectural competition held for the conversion of the Guy-Gagnon Arena into a Cultural Center for the borough of Verdun, Quai 5160 includes a 360-seat performance room, an art gallery, a mediation room, a circus school for the children of the neighborhood as well as the additional offices and spaces necessary to implement this mission.

The primary objective for Les Architectes FABG was to open this opaque building on the waterfront promenade and adjacent linear park to foster interaction with citizens while enhancing the sense of security around it. The project is part of a broader vision of valorization and development of the river banks that were once places for swimming and recreation before being contaminated by waste spills and the construction of buildings with an industrial character surrounded by vast asphalt areas. A new public beach has just been laid out, the renovation of the Verdun Auditorium is underway and a new public indoor pool is planned.

The arena was a concrete structure covered with brown concrete bricks and, later, colored acrylic plaster surfaces. The outer shell was partially demolished but the structure was retained. An expansion allowed the addition of a large entrance hall generously open to the park and which includes a step staircase for performances and cultural mediation activities in an informal setting. A forecourt in the extension of the hall encourages complementary activities outside.

All the mechanics have been hidden in the sanitary vacuum under the building and the biogas from the soil contaminated by the decaying waste in the basement are channeled and discharged through the drums on the outskirts of the forecourt.

The new building envelope, designed on the principle of rain screen with a ventilated cavity is coated with aluminum panels with small perforations producing a slight visual vibration of the painted surface (fluoropolymer) with a high luster. Golden accents and oiled oak plank siding warm public spaces in contrast to the cold whiteness of the envelope. Some brick surfaces of the original building have been preserved and dyed black. They serve as a support for a wall of brass cut plates, designed as part of the arts integration program.

This conversion project reflects the significant change that has occurred in recent years in public space, cultural practices, and the environment. It reflects the expectations of the public, elected officials, and architects who converge through more participatory design processes including the architecture competition, presentations to citizens, and the move to the Urban Planning Advisory Committee.

Photo credit: Steve Montpetit

 

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