At Miral HQ, created by GAJ, the indoor slide is the highlight
The new office of Miral by Godwin Austen Johnson (GAJ) explores a progressive work environment with unconventional spaces that create an inspiring and efficient environment where employees enjoy the space they are in which in turn leads to greater productivity.
A first for the region, the stainless steel indoor slide, which runs from the first floor to the ground floor, adds a sense of playfulness to the workplace.
Another dominant design feature is the open red stairway. This industrial looking staircase sits on a raised concrete plinth which also serves as informal seating and acts as a social connection between the two levels. The rawness of the red oxide metal and the concrete is balanced by the colours of the soft seating.
“The office space of today is focussed on balance. It is an environment designed to inspire employees so they enjoy coming to work and are much more productive while they are in the office,” said Jason Burnside, partner at Godwin Austen Johnson. “The slide is designed to recreate the element of risk-taking and independence just as it does in children which in turn helps foster revolutionary ideas, promote interaction and connectivity.”
Spread over two floors the new office is fluid and flexible with open workspace concepts, engaging spaces and collaboration nodes. The raised access flooring system with ceiling voids has been designed to house the building infrastructure to ensure the space stays flexible for potential future changes.
Single and double seater booths are equipped with AV connections to allow for virtual meetings with a giant projector screen installed at one end to allow the area to be quickly converted into a presentation zone.
Continuing the industrial theme, greyscale has been used as the basic palette punctuated by vibrant splashes of colour – most notably the bright yellow individual booths that are cleverly recessed into the interior walls. The stark neutral tones of the raw concrete is interspersed with black metal and warm wood accents.
The design, throughout, is characterised by an unconventional selection of materials, finishes and furniture to create unique spaces for a distinctive spatial perception.
(function(d, s, id) {
var js, fjs = d.getElementsByTagName(s)[0];
if (d.getElementById(id)) return;
js = d.createElement(s); js.id = id;
js.src = “//connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.5&appId=https://www.facebook.com/designmiddleeast”;
fjs.parentNode.insertBefore(js, fjs);
}(document, ‘script’, ‘facebook-jssdk’));
cepezed created a generous living in Park Hoog Oostduin in The Hague, Netherlands
The residents of the luxury Park Hoog Oostduin in The Hague, Netherlands have recently moved into their apartments. They now live quietly in green surroundings, but in the heart of the city as well. Therefore, the access pass to their private parking garage reads “Living in the park, enjoying the city”.
The project designed by the architectural office cepezed is a transformation of the former Shell office at 75 Oostduinlaan, which had long been part of the Shell campus in the stately Benoordenhout district.
The transformation has been entirely focussed on sustainability and maximum quality. The complex was outdated aesthetically, functionally, and regarding the construction physics. It had to be transformed into a high-quality residential environment; with comfortable apartments in the higher segment of the market and embedded in an overall experience including a pleasant urban setting. The existing situation posed a considerable challenge for this purpose, but it certainly also had qualities, such as its location amid the green, expansive views and a fine-meshed stability structure of the high-rise building. cepezed was elected as the architect because of its experience with complex transformations and a plan that offered maximum solutions and possibilities combined with a minimum of highly purposive interventions. The design is based on and makes use of existing characteristics and qualities as much as possible. However, the existing low-rise was unsuitable for housing. Hence, this structure has been demolished and replaced by new construction.
In the new setting, the high-rise is called Hoge Duin (High Dune). With a structural grid of 1.80 m, the building consisted of office strips along the façades, a core strip with stairs, lifts, and shafts in the heart and corridors to the offices on either side of the core.
In addition, the apartments had to have large, spacious outdoor areas. On the seaside, therefore, the former corridor has been added to the houses, while loggias have been created here within the existing building contour. On the city side, the building has been provided with an extension three meters deep, containing balconies and extra living space.
In total, over 180 owner-occupied and rental apartments have been realised in Hoge Duin, varying from 70 to 200 m2. Some of these are short-stay apartments. There are also a number of hotel apartments for residents’ guests. In addition, eight spacious penthouses with dimensions between 165 and 300 m2 have been realized in the former installation spaces on the roof.
The project devoted a great deal of attention to sustainability. Partly because of the reuse of many materials, the authorities used it as an example project when the government-wide circular economy program was introduced. Of the existing complex, the high-rise structure and garage have of course been reused. But the travertine wall finishes in the existing entrance have also been retained, while the imposing sculptural concrete canopy above the entrance has been completely incorporated in the new design. The reuse of the ceramic tile panel by artist Karel Appel deserves special mention. This first graced the former low-rise of the complex and is now included on the seaside in the façade of Hoge Duin.
Photo credit: Lucas van der Wee | cepezed
العربية