From Paris to Abu Dhabi
In conversation with Lucie Couling – Restaurant Manager (Fouquet’s Abu Dhabi & Marta Bar), who discusses about the launch of Fouquet’s in Abu Dhabi, why celebrities have fallen with the French cuisine of Fouquet’s, restaurant showcases an element of discovery both through the restaurant interior and its carefully curated menu, and so much more. Currently boasts 10 establishments of Fouquet’s Brasseries worldwide with six total in France, 1 in Switzerland, Marrakesh, St Barth and most recently Abu Dhabi.
● Tell us about the background or the origins of Fouquet’s?
Fouquet’s has operated since 1899 on the corner of George V and Champs Elysees and since 1998 has been obtained by Groupe Lucien Barriere. It established itself as a location of French Gastronomy and a place where the worlds of business and politics connect. In 2014, Groupe Barriere and 3 Michelin star Chef Pierre Gagnaire aligned themselves to create a partnership within the Fouquet’s Brasseries allowing the fusion of both respect to traditions alongside creative culinary inspiration.
● Why was Abu Dhabi the perfect location to launch Fouquet’s?
The UAE has been vastly developing itself within the scene 0f Gastronomy over recent decades. It has quickly become a top destination for world renowned Chefs, distinguished brands and aspiring restaurateurs to expand and exhibit their culinary expertise. Abu Dhabi is a location of cultural excellence and for a Fouquet’s Brasserie to be situated within the prestigious Louvre, it presents an iconic fusion.
● Are there plans to expand to Dubai and into other GCC countries?
The next confirmed destination worldwide is in New York City, whereby Groupe Barriere will launch a hotel in which a Fouquet’s will be situated. As for within GCC countries, stay tuned for upcoming announcements!
● Top celebrities around the world have dined at Fouquet’s, how have you been able to attract them to this brand both in terms of food and ambience?
Since the 19th century, Fouquet’s has been the melting pot of Paris and favoured rendez-vous for members of the film, art and cultural world. Le Fouquet’s Paris has been the cinematic hotspot and host of the Cesar Awards Ceremony; the French equivalent of the Oscars, every year since 1988. Some of the most celebrated names in cinema have walked the ‘Fouquet’s Red Carpet’ and gathered for the famous awards dinner. Each Fouquet’s Brasserie offers a prestige yet inviting atmosphere which is displayed throughout with its fine interior design details. The platform developed in collaboration with Chef Pierre Gagnaire, showcases culinary brilliance through revisitation of French classics and creation of ‘avant-garde’ dishes within seasonal menus offering guests an experience of both innovation and delight.
● Tell us a bit about the menu and what makes the food stand out? Please list a few examples from the main menu, appetizers and desserts.
A key identifier of Fouquet’s is the development of ‘Brasseronomie’.
In turn, Chef Pierre Gagnaire’s vision to extend a culinary journey through tastes of reminiscence and discovery. The menu offers generosity whilst displaying delicate creations utilising fresh seasonal products.Begin your experience by the french classic of Escargots or by the Red Kuri Squash velouté highlighting flavours of star anise and passion fruit topped with grated coconut. Followed on by a signature dish such as the Sole Meuniere or Fouquet’s Tartare with a twist and finally diving into a sweet ending with a traditional Millefeuille.
● Tell us a bit of the layout of the restaurant? Does the space cater for private events?
A journey through the restaurant has something around every corner. The restaurant’s ability to privatise sections through cable run walls displays a level of high-quality engineering perfectly reflecting that of the food. At the end of the restaurant lies the ‘Salon Diane’, a hidden private room overlooking the circumference of the dome and leads seamlessly onto the wrap-around terrace offering a vast expanse of outdoor seating.
● How does the interior layout of Fouquet’s give a calm, adventurous, five-star dining experience?
The restaurant showcases an element of discovery both through the restaurant interior and its carefully curated menu. Every detail from the golf cart arrival, glass Chandeliers, the La Corbusier leather chairs to the corridor of red satin in which hangs Studio Harcourt portraits of some of the region’s leading lights.
Hand cut floor to wall tiling exhibits the architectural masterclass of Jean Nouvel, depicting that of the geometric dome design, encompassing an element of fluidity throughout the Fouquet’s Abu Dhabi dining experience.
Up the red-carpet stairs, you will find tucked away the intimate location of the Marta Bar. With Paco Rabanne inspired shimmering walls offering an element of ‘Haute Couture’ and a cinema screen showcasing French classics from the silent era; this ‘speakeasy’ bar combines cosy with sophistication offering that of a ‘Parisian Night’.
● Does the ambience of Fouquet’s help by being situated at Louvre Abu Dhabi?
Located on the waterfront of Saadiyat Island overlooking the UAE’s Capital’s city, it exudes a sense of harmonious serenity. With Louvre Abu Dhabi, the brand ambassador of France in collaboration with Fouquet’s, it is a true representation of the French art de vivre. The intention of combining the artistic and cultural excellence showcased by Louvre Abu Dhabi is to be carried through by Fouquet’s culinary journey with each plate served to be that of a piece of art.
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Hastens and fashion designer Lars Nilsson launch IRIS collection at Paris Design Week
Luxury Swedish bed manufacturer Hästens and iconic fashion designer Lars Nilsson reunited at an intimate event during Paris Design Week to celebrate the launch of two new designs for the ‘Iris Collection’. The collaboration, which was first unveiled in 2019, saw Hästens’ iconic blue check completely reimagined for a series of bed linens and accessories. Drawn by hand with pencils, watercolors, gouache and crayon, the designs pay homage to the brand’s classic motif, while uniting it with Nilsson’s timeless, colorful, and fashionable style.
As a follow up to the original launch, which was inspired by Nilsson’s travels through the English countryside, the two new patterns – Edwin Iris and Selwyn Iris – are inspired by the beautiful Parisian flower shops and French gardens such as the Jardin des Plantes and Giverny-Monet’s Garden.
“All patterns are inspired by different Iris flowers, and their unique and often unusual color combination in a graphic design that is basically the iconic Hästens’. Flowers and plants are international, but England and France have, with their climate, a unique flora of Iris. Above all Paris has fantastic flower shops with a strong culture when it comes to floral arrangement,” said designer Lars Nilsson.
The Edwin Iris bed linen has the Hästens’ classic horse’s inspiration in gray scale that can often be seen in wooden garden furniture, which over time has received a nice patination where the wooden surface gets a matte gray shade. On the other hand, the Selwyn Iris bed linen is more of a bouquet of tones, such as lilac, celadon, and agapanthus.
Made from 100% cotton, the collection is as uncompromising on quality as it is on design. Natural, light and soft, the material is environmentally friendly and helps to regulate body temperature in both summer and winter.
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In pictures: Rehabilitation of SHIFT Building in Paris by Arte Charpentier Architectes
Ideally located in a thriving neighbourhood that is attracting many companies and administrations, SHIFT is conceived as an accelerator of transformation towards more collaborative ways of working and concerned about employee fulfillment.
Arte Charpentier Architectes was a rather special undertaking. The original office building, straddling the boundary between the 15th arrondissement of Paris and the district of Issy-les-Moulineaux, was designed and built by the same practice at the beginning of the 1990s for Unibail.
This heavy rehabilitation allowed the implementation of two major interventions who have brought the building out of self-imposed isolation and allowed it to reconnect with the city, setting up a renewed dialogue with the immediate surroundings :
- the removal of the concrete façade panels and their replacement by a glazed envelope articulated by vertical projecting composite fins.
- the creation of an internal atrium crossing the building from east to west, connecting the two streets and becomes a link between Paris and Issy-les-Moulineaux.
A major architectural innovation, the vertical fault located in the centre of the building is overhung by a large glass roof. It houses a complex set of mezzanine balconies, connected by a monumental staircase, whose construction process was like a suspended mobile, from top to bottom.
Within the modern and lively atmosphere generated by this interplay of raw and refined materials and a warm palette, Shift’s generous spaces exude a warm, welcoming ambiance. Continuing the rhythmic theme of the façades set up by the vertical fins, the entrance lobby is finished in vertical battens in Beech.
The restaurant, offering 5 different catering themes each day for 1800 settings, create a buzz similar to a marketplace with a bar situated close to one of the entrances, and kiosks for each of the dining themes lining the central area. It benefits from a vast green terrace (60 places).
At the heart of the project is the central unifying space around which the daily working experience revolves offering comfort and conviviality, inspiration and creative thought, social interaction, and exchange. The offices (5,800m² on average/clear height from 2.65 m to 2.90 m) with varying depths, breaks with the usual monotony of standard layouts, and increases the possibilities for adaptation. The largely glazed façades allow natural light to be used as the main source of lighting.
Designed like a garden, SHIFT integrates plants into its interior with its 1,800 m² of private terraces, loggias, and balconies. The former technical roof has been transformed into a landscaped and green terrace on 2 600 m² offering real living spaces: an alternative outdoor workspace, a restaurant for lunch in the greenery, and 1,000 m² of urban agriculture operated by Sous les fraises, which partly feeds the RIE with the virtuous and educational aim of raising awareness of the notions of ecology and proximity.
This ambitious scheme, led by Arte Charpentier, under the impetus of Unibail-Rodamco-Westfield, attracted Nestlé France, who chose to set up their first Centre of Nutritional Expertise in France. The 2 500 employees of the various brand names belonging to the group, such as Nespresso, Nestlé Waters, Herta, Galderma, etc are brought together within SHIFT’s 46 000 m².